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Love Virtually

Publication and form

Love Virtually is the English title of Austrian novelist Daniel Glattauer’s epistolary novel Gut gegen Nordwind, first published in 2006. The English translation, by Katharina Bielenberg and Jamie Bulloch, appeared in 2011. A contemporary romantic novel told almost entirely through emails, it draws on the older tradition of fiction made from letters while placing its characters in the everyday world of digital communication. Rather than relying on a conventional narrator to explain what the characters feel, it asks readers to infer their changing emotions from their replies, teasing, silences and disclosures.

The story

The correspondence begins by accident. Emmi Rothner is trying to deal with a magazine subscription, but her emails reach Leo Leike, a man she does not know. He answers out of politeness, and the exchange develops into a lively conversation. Their early messages trade jokes and guesses about one another; in time, they disclose private longings, vulnerabilities and personal concerns. The growing intimacy brings with it romantic and erotic tension, and the question of meeting in person becomes increasingly difficult to avoid.

Yet both the prospect of meeting and the possibility of what might follow unsettle them, so the encounter is repeatedly postponed. Emmi’s situation is complicated by the fact that she is happily married. The connection therefore raises more than the familiar question of whether online chemistry will survive a first meeting: it also brings loyalty, commitment and the consequences of desire into view. What happens when a relationship sustained by words must enter ordinary life? Can the pair’s imagined versions of each other withstand the presence of a real person? The novel uses these uncertainties to keep the exchange moving without reducing the characters’ choices to a simple fantasy of romance.

Themes, background and reception

The book explores how written communication can create closeness across distance. Email gives Emmi and Leo time to compose themselves, choose what to reveal and respond on their own terms. That freedom can encourage candour, but it also leaves room for projection: each may fall in love partly with the person the other appears to be in writing. The medium is at once a bridge and a protective barrier. The novel does not merely ask whether an online attachment is genuine; it asks how intimacy develops when shared routines, physical presence and face-to-face reactions are missing, and what reality may do to an affection formed at a distance.

Its form is central to its effect. Brief exchanges create comic pace, while repetitions, delays and changes in tone carry emotional weight. The conversational style makes the novel accessible and funny, but its lightness coexists with questions about marriage, past relationships, responsibility and self-understanding. Glattauer was a journalist and a regular columnist for the Austrian daily Der Standard. Accounts of his work also note the influence of personal experience, memories of journalism and training in psychosocial counselling on his novels and plays. These connections help contextualize the book’s interest in everyday speech and emotional interpretation, though the available information does not identify a particular personal event as the source of its plot.

Love Virtually is among Glattauer’s best-known works and is notable for making email correspondence the structure as well as the subject of a romantic story. Its sequel, Every Seventh Wave (Alle sieben Wellen), continues the characters’ story. The English edition helped bring the novel to readers beyond its original German-language audience. Glattauer’s literary works have been translated into about forty languages and have sold more than three million copies overall; his writing has also been adapted for radio, theatre, television and film. The book’s lasting appeal lies in its blend of quick, witty dialogue and a question that remains pertinent: when two people know one another chiefly through words, how much of their love belongs to the other person, and how much to the image they have made together?

About the Author

Daniel Glattauer

Life and background

Daniel Glattauer was born in Vienna, Austria, on 19 May 1960. He is an Austrian novelist and playwright as well as a former journalist, and biographical accounts say that he continues to live and work in Vienna. The available material does not provide reliable details of his formal schooling, university education or degree, so a specific educational biography cannot be stated with confidence. His documented professional background includes regular column writing for Der Standard, a national Austrian daily newspaper.

Journalism is one important context for his fiction. It brought him sustained contact with everyday speech and with the ways people describe themselves and interpret others. Profiles of Glattauer also say that his novels and plays draw on personal experiences, memories from his years as a journalist and training in psychosocial counselling. The sources available here do not identify the institution or dates of that training, nor do they connect any specific episode in his life directly to a particular plot. These experiences are best understood as influences on his interest in communication and emotional behaviour, rather than as evidence that his fiction is autobiographical.

Major works and style

Glattauer became especially well known for works built around lively dialogue and intimate exchanges. His novel Gut gegen Nordwind was first published in 2006; its English translation, Love Virtually, appeared in 2011. The book takes the form of an email correspondence between Emmi Rothner and Leo Leike, whose accidental exchange develops into a complicated attachment. Its sequel, Alle sieben Wellen, known in English as Every Seventh Wave, continues their story and is another of his best-known works. A further major novel, Ewig Dein, appeared in 2012. These titles and dates are the principal works for which the material at hand provides clear publication information.

His fiction often centres on romantic relationships and the puzzles of communication, combining humour with a brisk, accessible narrative style. Glattauer has been described as a feel-good author, a label that points to the warmth and readability many readers find in his work. Some critics, however, have considered the novels insufficiently deep. The tension between broad appeal and critical reservations is part of his reputation: his stories are entertaining and conversational, yet they also touch on marriage, desire, loyalty, emotional distance and self-discovery. Love Virtually in particular turns the form of digital correspondence into a way of examining both intimacy and the gap between an imagined partner and a person encountered in ordinary life.

Reputation and influence

The success of Love Virtually and its sequel helped establish Glattauer’s readership beyond German-speaking countries. His literary works have been translated into around forty languages and have sold more than three million copies in total. His writing has also been adapted for radio, theatre, television and cinema, including beyond the German-speaking world. These figures describe the reach of his body of work as a whole, not the sales of a single title. Glattauer is living; the available biographical material records no death.

His enduring standing rests on his ability to make familiar emotional situations engaging through conversational form, comic timing and romantic tension. Love Virtually remains a particularly recognizable example of the email novel: its correspondence makes digital communication both the mechanism of the plot and its central subject. The book’s appeal extends beyond the question of whether its characters will meet. It asks how trust and attachment can grow through words, and whether the relationship created in writing can survive the demands of shared reality. That combination of popular storytelling and reflection on changing forms of human contact has helped keep Glattauer’s work visible among readers internationally.

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